The birth of the “Saw” franchise defined horror in the 2000s, and it all started with Jigsaw’s perfect trick. Though shocking, that revelation is not the film’s biggest surprise. In his final act of revenge, Woo-jin reveals that Mi-do is Dae-su’s daughter, and he used hypnosis to arrange their incestuous relationship. This horrifies Dae-su, and he returns to the hypnotist to erase this knowledge.
From iconic blockbusters to modern day smashes, the UNILAD team has scored 25 of the most popular flicks with well-known plot twists out of 100, and it’s safe to say one or two caused a bit of a debate in the work chat. I made it through the first season but stalled out early in Season 2 and moved on to more thoughtful dramas, like True Blood. Then I went to see John Lithgow speak at some event, and all the audience could do was ask him about that Dexter twist. By the time we got to the third or fourth question about that thing—shudder—you know … I had committed to going back and watching it all.
Fight Club
One that really changes everything you know and think you know about a movie or TV show, this is a list of some of our favorites. Director Christopher Nolan’s Momento has a lot of twists and turns, given the nature of the film, as Leonard (Guy Pearce) searches for his wife’s killer and the structure of the film’s forward and backward timeline. When Leonard finally puts the pieces together, he finds that he got vengeance a year early and had been manipulated by Teddy (Joe Pantoliano) to do dirty work for him.
Gone Girl – 68%
So, here are the ten best movie plot twists of the decade, ranked. It should also go without saying, but there are spoilers ahead. Films based on Agatha Christie’s books are often left off “Best Twist” lists, which is odd. As the “Queen of Crime,” her plot twists have helped define the mystery genre. Strangely, mystery films are sometimes left off of “Best Twist” lists.
The 33 Best Plot Twists of the 21st Century, Ranked
After all, that monologue prepared us for the notion that we’d have to wonder whether he’ll succeed in this adventure. The movie would still have been great without their reunion, which makes this count as both a plot twist and one that—as satisfying as it is—still doesn’t feel like the most significant in the story. This plot twist puts the audience unequivocally on Andy’s side, which is pretty significant.
Angier is determined to learn the trick and is sent on a journey to find Nikola Tesla (David Bowie). Though initially a distraction, Tesla builds top 10 movies a machine for Angier and delivers it to him with a warning that it will bring him nothing but misery. Based on William Diehl’s 1993 novel, Primal Fear follows Martin Vail (Richard Gere), a defence attorney known for taking on undesirable but high-profile clients. He agrees to defend Aaron Stampler (Edward Norton), a meek, stuttering altar boy prone to amnesia, pro bono after he was seen fleeing the scene of Archbishop Rushman’s murder.
A psychologist in Frances McDormand starts to peel back his layers, and things get twisty. In this instance, we’re taking ranking ten movies that make us sit up stunned with the realization that we’ve been played, perhaps in the best way possible. Based on Christopher Priest’s 1995 novel, The Prestige was directed by Christopher Nolan and co-written by him and his brother Jonathan Nolan. It follows the rivalry of two magicians, Robert Angier (Hugh Jackman) and Alfred Borden (Christian Bale), as they try to pull off the perfect teleportation trick. Initially working under the mentorship of John Cutter (Michael Caine), the two magicians bitterly part ways after Angier blames Borden for the death of his wife during a water tank trick. After losing two fingers to a sabotaged bullet catch trick, Borden develops a trick called “The Transported Man”.
It doesn’t have a cliffhanger; it has a definitive ending where the villain, for the first time, beats the Avengers. The premise of Steve McQueen’s Widows — a movie that masterfully blends bombastic Hollywood action with more contemplative social themes and strong character development — deceived us. We were told it was the story of the wives of a gang of criminals who died in a police sting, who come together to pull off a heist in order to pay off their late husbands’ debts to a crime lord.
Primal Fear is the film that catapulted Edward Norton into cinematic stardom, in which he plays Aaron Stampler, the mild-mannered altar boy who’s suspected of brutally murdering a priest. Get Out is not only a great thriller but also a critique of White America and so-called Neoliberal politics. The film stars Daniel Kaluuya, Allison Williams, Lil Rel Howery, LaKeith Stanfield, Bradley Whitford, Caleb Landry Jones, Stephen Root, Catherine Keener and Betty Gabriel. It was nominated for four Academy Awards, winning for Best Original Screenplay. While more recent Christie-inspired films such as See How They Run and A Haunting in Venice are surprisingly good, it’s hard to beat the original Murder on the Orient Express.
By the end, it becomes evident – death’s inevitable, and it’s mocking you all the way down. His wife, Laura, starts to believe in a blind psychic’s claims that their dead daughter, Christine, is happily watching over them. John, meanwhile, busies himself with denial, even as ominous signs pile up faster than Venice’s sinking foundations. A boys’ choir somehow both sounds and looks menacing, and when the archbishop is gruesomely murdered, all hell breaks loose. We are then introduced to Aaron Stampler (Edward Norton), the doe-eyed altar boy with blood on his hands—and maybe more going on upstairs.
It ventures into emotional extremes with purpose, and it is as much about the destruction of the human soul as it is about its resilience. Nicolas Roeg’s Don’t Look Now leaves behind cheap scares for a strong feeling of existential sadness and the nagging feeling that something’s off. It’s about John Baxter (Donald Sutherland), a staunch rationalist who scoffs at psychics and the supernatural – right up until it all destroys him. Filled with turns and pivots that may leave you scratching your head, the best scene for us is a desk tug-of-war with Sam’s office neighbor. Sam Lowry, the film’s hapless hero, spends his days glued to a computer terminal in a society run by a bloated, joyless state.
Certain directors have a knack for telling stories that make you shriek OMG or WTF during Act III. Filmmaker M. Night Shyamalan is so innovative with his twist endings, that even when we’re searching for them, we still can’t find them anywhere in the narrative. Mulholland Drive is David Lynch at his most unapologetically Lynchian, a surreal dream (as good as they come) dressed up as Hollywood noir. It’s a story – well, sort of – about Betty (Naomi Watts), a sunny wannabe actress fresh off the bus, and Rita (Laura Elena Harring), an amnesiac who stumbles into Betty’s life after a car crash on Mulholland Drive.
The film follows the murder of Amy Dunne and her husband, Nick, who becomes the prime suspect. The film stars Jude Law, Rooney Mara, Catherine Zeta-Jones and Channing Tatum. Side Effects has an almost Hitchcockian feel that is is both familiar and exciting for fans of thrillers. Many people do not like The Village; however, it has become a bit of a cult classic and has been called an “underrated masterpiece.” Written and directed by M.